Gehry in Our Backyard

Princeton University is about as Ivy League as it gets. Arglye clad students traipse though gorgeous quadrangles lined with ancient oaks, everywhere you turn brings you face to face with commanding stone and brick buildings, set a revered distance on manicured lawns. The greek houses are mansions that you’ve only seen in movies, never at your own college. It’s all so impressive and geeky I just want to dive back into academia.  Overheard on campus,  sophomore couple discussing future offspring: “Our kid should be able to isolate free protons by the time they’re two”. What the??? I don’t even know what that means, but I have no doubt their kids will be uber-geniuses right out of the womb. Maybe the placenta comes with scientific calculator…

I mentioned to a coworker that I was going into Princeton last weekend and she told me about the relatively new library designed by Frank Gehry. Immediately I knew I had to pay pilgrimage to one of my most admired architects.

Lewis Library viewed from the corner of Ivy and Washington street

Main entrance

In an age where books are fast being replaced by digital information, this science library goes with the flow instead of trying to fight the tides of change. The stacks are tucked away in a high density storage room down in the basement. Main floors are dedicated instead to media labs, tech centers, classrooms, high ceilinged study areas and light-filled social spaces. Emphasis is given to collaborative spaces that encourage a meeting of minds between the likes of astrophysics students, statistics majors and researchers. The belief being that conversation and collaboration is the sparkplug of new inventions.

Just walking into the building you feel energized from the bursts of colors and ample light flowing into the space. The sightlines afforded from the entrance too is generous, granting you an cognizance of the activity happening around, below and above you. In an instant you can tell if your study group is already waiting for you in the social room or if the media lab is too crowded for your liking or probably more importantly if the  that girl you’ve been stalking all semester is at her usual perch in the glass reading room.  You can decide there and then which direction to take which is really organic in terms of wayfinding.

Collusion of colored surfaces, glass walls and skylights

On the lookout for the cute co-ed

A space for social gatherings or quite study

Although you can literally stroll into any of the buildings on campus without being accosted by security guards (I’m so used to center city college buildings on tighter lockdown than Fort Knox that this lack of security stuns me..) I felt slightly rude entering any of the actual program spaces so I focused my attention on the building skin. If you’ve seen a Gehry building then you can easily imagine what the Lewis Library looks like except this time the structure incorporated a significant expanse of red brick along with his signature curved stainless steel skin roofs. I wonder if this was a requirement to “blend” in with the surrounding buildingscape. Although why one would intentionally want  a Gehry building to “blend in” I do not know…

In my opinion I wish they could have maintained more of the Gehry aesthetic which is to say the entire building be molded out of metal like a sculpture rising from the land. I remember visiting the Experience Music Project in Seattle years ago and being blown away by the undulating walls and chameleon-like colors reflecting off the surfaces. But when you went in though, you felt the illusion fall apart  as there were no curves to reflect anything on the exterior. It was all boxy geometric galleries that seemed divorced from its outward casting aspirations. I think the Lewis Library while more subdued than his previous projects, does a better job integrating the exterior with the interior overall.

But….. I still can’t help but wish for more of that outlandish hallmark designs from the one and only master of it all.

Detail of curved exterior wall

Some wacky stairs; my favorite surprise element!

 

 

Everyone Loves a Quickie

In the spirit of Thanksgiving, I’m posting a few shots of the newly opened (and highly famed) Federal Donuts in Pennsport. Serving gourmet donuts and fried chicken, I can attest to the donuts’ deliciousness but I still haven’t gotten a hold of their elusive fried chicken. Word is that they run out of it by 12:30 every day.

The store itself on 2nd and Manton is extremely compact but they cleverly used these foldaway stools under the counter. You can pull them down to enjoy a cuppa cold press coffee at the bar or tuck them away when the crowd piles in.

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Also liked this neat throwback bulb light fixture detail. kinda retro, kinda lab project. Nice touch!

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Something Wonderful

I love this new playground they built at the Morris Arboretum! They probably geared it towards kids or maybe you just turn into a giant kid when you step in. From the very first impression, the gate clues you in the the whimsy that awaits.  I get the feeling like I’m walking into a Wily Wonka’s Nature Factory.

Enter the canopy whirlpool!

The installation is called Out On A Limb and was designed by Metcalfe Architecture & Design as part of an educational component of the Morris Arboretum. Last year, the project garnered the coveted AIA Design Excellence Gold Medal Award. For great reason too, the entire project is beautifully executed, down to the tiniest detail and such a pleasure to explore through. Not only that, it’s also environmentally sustainable right from its material selection of western red cedar and recyclable metal to its minimally invasive micropile foundation system which gently trods on the land.

Wending through the trees

Beautifully crafted details

Nest in the balance

Oh, did I mention the fantastic twig nest?! Modeled after the American Robin’s nest, this woven habitat comes complete with 3 shiny blue eggs.

Is this me or Japanese tourist? KAWAII!!

This is what the world looks like if you were a baby bird

The best part of the canopy walk is at the end where you’re greeted with 2 giant hammocks centered around  tree trunks. Securely fastened and made of 3 netting layers, I’m sure it’s beyond safe but it also gives the illusion of danger as you traipse through this floating web 50 feet above ground.

Hanging out in the trees - I could sleep here forever

tree hammock

Perfect vantage point for fall foliage

Open House New York – Part II

Who knew that watching SNAKE INVADERS could be so addictive? But I’ve procrastinated enough. On to part deux of my Open House New York experience.

Site #3 – Ukrainian Institute of America. Also known as the Sinclair House on 79th and 5th Ave. I’d admired this building every time I made my way to the Met. Its imposing facade did not seem inviting though so I never ventured in. When I saw that it was part of the roster for OHNY, I could not resist the chance to peek into this wonderful piece of architecture.

Ukrainian Institute of America

Our guide through the house was the program director who was superbly well versed in every historic detail right down to the cost of electrical upgrades of the mansion. I did not catch his name but he was an impeccably dressed young guy  who looked like he walked off the set of Mad Men. He was so generous and knowledgeable in his narration, it blew me away.

Designed by the notable architect C.P.H Gilbert,  the mansion evokes a French Gothic style. It was commissioned by Isaac Fletcher in 1898 and bought by Henry Sinclair, an oil baron in 1920. It subsequently was sold to August Stuyvesant who eventually left the house in disrepair upon his death in the 50′s. William Dzus, a Ukrainian businessman and philanthropist swooped in to buy the property for the equivalent of $1.5 million in today’s currency! (Speaking of great deals, did you know that Peter Stuyvesant purchased the island of Manhattan from the Lenape tribe for $24 in 1626? It’s debatable, but don’t you wish that you had $24 back in 1626?… hmmm…) Mr. Dzus founded the Ukrainian Institute of America and it continues its mission today of promoting Ukrainian art and culture.

A grand central stair sweeps up from the main foyer and winds through the core of the house. The circulation divides the house into an east and west wing. Like many other grand old houses of its era, there was a narrow stairway in back for servants so that they could move around without being seen or heard . Each room had a call button designed into the woodwork that would send for the servants. And oh, how ornate the woodwork is too; lions heads adorn the archways and delicate wooden tendrils swirl up along the bannisters.

Weathered ornate carvings abound

sweeping stairs and chandelier

the grand stairs dominate circulation through the mansion

I did not jot down the original program of each room but I believe the drawing room was on the first floor, followed by the main bedrooms and parlor on the second and finally library on the third floor. The general public is allowed to wander freely through the first 3 floors of the building. There are 2 more higher floors which housed the servants quarters and children’s bedrooms but now are accessible only by staff.

A unique feature that our guide pointed out to us were the 200lb solid wood doors that are original to the building. The hinges from 1898 are the still the same ones that are used today! (IKEA, can you take note please?) Also of interest is the oval (powder ?)room that connected the husband’s and the wife’s rooms. Four curved doors are built into the wall and each of them still function. That is some quality workmanship.

the oval room

concert room facing Central Park

Okay, last interesting item to note: the built-in scale in the bathroom! How marvelous, yet slightly intimidating. I guess this is how you set the pressure on for squeezing into those Victorian era corsets.

full length mirror included to confirm how fat you are

Dear readers, I highly recommend stopping by this gorgeous historic landmark when you’re in the area next. Appearances are deceiving. What I took to be stand-offish building is in fact a very welcoming warm cultural center. They do offer tours and hold public exhibitions and programs throughout the year. Not to be missed!

Open House New York – part I

I’d first heard about Open House three years back but never got the chance to go to one until this past weekend. The concept is intriguing – a string of architecturally significant private/public buildings and design firms open their doors for a weekend of guided tours and a chance for people to peek into places usually closed off to the general public. The aim of this initiative was to invite people to explore and understand the value of a well designed environment. Open House was founded in London in 1992 and has been  since taken roots in cities like  Toronto, Barcelona, Melbourne and Chicago annually.

So without further ado, I’ll jump right in to the rundown of my experiences.

Site #1 Mercedes Benz Manhattan by Enrique Norten. Half opened, half in construction. As my first tour of the day, it was LAME. I anticipated an ARCHITECTURAL tour of the building, but instead was subjected to a sales pitch for a 1-bedroom apartment unit. “Look at the great views” “yes, you are allowed to partition the room”. Seriously? For such a massive 1.3million sf mixed use development, we were ushered into the sales office, scurried into a service elevator and given a 10 minute pitch in one of the cramped units. Not what I signed up for. The 15 minutes I waited in the lobby to get into this tour was the only part where I got to see any communal space of this entire building. Even at that, the details in this spanking new lobby were poorly crafted. Much was left to be desired.

Exterior cladding of MBM

main lobby. workmanship rather subpar

only halfway completed. Model building. "It needs to be at least THREE times the size"

I was losing hope in this endeavor. Throw in a sad little $1.47 cheeseburger at Wendys (long story)  and I was beginning to regret making the long trek up to New York. Nevertheless, I am nothing if not resolute. Off I marched to the Lincoln Center for my second stop.

Site #2 – Lincoln Center Public Spaces. There were over a hundred people milling about in the indoor David Rubenstein Atrium at 62nd and Broadway. Half were there for the tour, the other half just enjoying the space. You could tell right away that it was a success story as far as public spaces go. Every niche was inhabited by some urban dweller reading, sipping coffee, taking a break, maybe even just ..dwelling. Despite the crowd, the atmosphere in there was chill and relaxed. Maybe it was the water feature, or  the leafy bio-wall or the felt panel art. Combined with soothing light from the 16 occuli above, the space exudes an unexpected calm in the middle of a large city. Designed by Tod Williams & Billie Tsien, we were given an extensive briefing by one of the firm’s architects. Originally built as the Harmony Atrium, the space was one of the 503 Privately owned Public Spaces (POPS) sanctioned by the city of New York. This program  provided zoning incentives for  an owner by allowing them to exceed the permitted Floor Area Ratio  if they provided an accessible public space on the street level. You’ll see many of such POPS scattered around the city. (hmm.. fodder for future blog post) wonderful little oases in a desert of concrete.

vertical bio-wall softens the space. Water feature on right provides ambient noise

Ovals and Occuluses (Occuli) - lightshafts and soundproofing/art

ovals ovals everywhere

Nooks and niches

Next we proceeded to the newly renovated public plaza by Diller Scofidio + Renfro. Two architects from the associate firms FXFowle and Beyer Blinder Belle provided the background  and did a marvelous job going into the history and evolution of the design. 2010 was the approaching 50th anniversary of the Lincoln Center, a playground of performing arts venues designed by a plethora of renowned architects – Phillip Johnson and Eero Saarinen to name a few. The original design of this collection of buildings needed a revamp. The charge was to open up the plaza to be more pedestrian friendly. As it stood, the center was an island in itself, quite cut off from the flow of traffic.  I wish I had some ‘before’ pictures I could post but you’ll just have to either trust me on this or google it yourself.

One of the things Diller Scofidio + Renfro did was to reconfigure the vehicular and pedestrian flow so that the pedestrian was given priority over the car. Now as you approach from Columbus Ave, a cascade of travertine stairs pull you upwards towards Robertson plaza. Cleverly  illuminated bands on the risers display upcoming events. Culminating the plaza is a reimagination of the iconic fountain. The centerpiece Revson Fountain now deftly floats above a mirror of water . The existing buildings flanking the plaza were respectfully left untouched. Even the two new swooping cantilevered glass canopies simply glide between the columns, providing cover and bookending the stairs.

cascade of stairs from Columbus Ave

Revson Fountain

Fantastic glass canopy

last photo. Notice how the glass windows terminate at pilasters. i was told they were a bitch to detail! =)

Okay peeps, it’s getting late , this post is getting long and my eyes are turning to mush.Also, I realized I did not take enough photos of the Lincoln Center. Aughhh! So sorry, I only had my iPhone that day.  I’ll continue part 2 of my Open House NY experience in my next blog post – the Ukrainian Institute and the irish American Society.

Steampunk TreeHouse

As a kid, you may have had a treehouse, but I bet you didn’t have a treehouse like THIS:

Steam Punk Tree House

Say hello to the Steampunk Treehouse. But what you may ask is steampunk exactly? Think of it as a mashup between Victorian era esthetic and science fiction technology – complex machines, flying contraptions….  typically brass, leather, iron.. lots of rivets and bolts!

This particular tree house rises 40 feet tall and is made of steel I-beams, trusses and wrapped with metal plates. Standing on the front lawn of the Dogfish Head Brewery in Milton, Delaware it is a cool nod to the unconventional funkiness that embodies this craft beer company. Founded in 1995, Dogfish thrives on experimenting with crazy ale recipes like Pangaea which has an ingredient from every single continent and Jiahu, which reconstructs the beer recipe from molecules found in unearthed jars from archeological digs. But I’m not a beer blog, you can talk to Jim if you want to spend half your day dissecting beer. In fact, it was him who coerced me into going to Milton Delaware at 3:30 on a Sunday morning.

He had signed up for a 5K Dogfish Dash race at the brewery and tricked convinced me into going with “oh, there’s this really neat tree house on their sitethat you could write for your blog blablabla”. So there we were, 3:30 on Sunday morning, making the 2.5 hour drive down to Delaware. Oh, the things I do for my green card love.

Anyway, once we got there the tree house did in fact live up to its hype. I mean, look at it! It’s freaking awesome!

romantic tragic

metal branches

love this door!

a spiral iron stairs, because a rope ladder just won't do for this tree house

A bit of background on this cool sculpture/architecture. Designed by  Sean Orlando and the 5 Tonne Crane Arts Group back in 2007 as a commentary on the human connection to the natural environment.

The Tree House may indeed remind people of a simpler, more innocent time. It may serve as a reminder of childhood, and an example of how humans might live in harmony with the unnatural nature of nature. However, the tree is also meant to inspire critical thought on the part of its dwellers, encouraging its inhabitants to reconsider the often-paradoxical relationship between humans and the environment of which we are a part – http://www.steampunktreehouse.com

Built in Oakland, California out of recycled wood, metal and bits of salvaged mechanical parts, it found it’s home at Dogfish Head Brewery in 2010. It traveled a long long way so maybe it would qualify as a ‘mobile home’ too? eh? eh?!

I’m not sure if entry into the actual treehouse is limited to people with secret passwords but unfortunately none of the passwords I tried work.

let me in! trust me, I'm cool..

What I could get into though was the brewery tour. The building  - designed by Philly based architecture firm DIGSAU is equally impressive on it own. A renovation and extension of what once once a cannery, the brewery now touts top of  line environmentally savvy design and operations. The list of sustainable design components are lifted right out of a LEED handbook – pervious paving, natural daylight, reclaimed and recylced materials, recycled wastewater… it goes on. What’s equally cool though is the continued operations of the plant and how the philosophy of sustainability carries on from construction through production. Spent grains used in the brewing process are recycled as feed for cows at local farms. Beef from those cows is later bought back from the farmers for their brewpub in Rehoboth.

Dogfish Head Brewery

neat little detail on side of exterior stairs

Lastly, here are some very sexy photos of… PROCESS PIPING! yes, mechanical systems can be sexy. A little bit of research revealed that ABS pipes were used for its refrigerant lines. The sleek curves of these preinsulated pipes  affords smooth unrestricted flow and eliminates condensation problems. Cleanliness factor of brewery gets a major boost and systems gain excellent thermal performance. Not to mention newfound admiration from an architect who’s spent the past week coordinating chilled water piping with her mechanical engineer. (Oy vey!)

Enjoy the photos and happy Rosh Hashanah!

reminds me of sheet music

more curves than a sorority house

steam punk all the way!

Step into the Side Street

Philadelphia is made for the Fall. Its narrow tree lined alleys and weathered brick row homes are perfect for slow evening strolls in crisp cool air. If you have taken these slow strolls and wandered the city’s side streets like I have, you’re bound to have come across these ceramic and glass mosaics that adorn sides of warehouses, row homes and alley walls. This is none other than the work of Philly’s renowned artist Isaiah Zagar.

Mural at 10th and South Street

Shards of his signature mirrored glass glimmer in the sunlight. Colorful bottles and rusty bicycle spokes pop up randomly above rooflines. You never know where you’ll stumble upon a piece of his work and therein lies the beauty of his art. Zagar has transformed the Bella Vista and Queen Village section of the city into a veritable easter egg hunt of magic murals. His distinctly ornate style often include large portraits, lace doily blobs and found objects that some would dismiss as trash.

As a matter of fact, some people did. The two lots on which his subterranean art garden sits on were owned by a businessman from Boston. Zagar had twirled his confection in those spaces over the years but in 2008, the owners wanted to sell the properties and threatened to bulldoze the entire garden overnight. Fortunately, the community rallied together to recognize the significance of this incredible body of work and fought to preserve it. Now, through a bank loan and proceeds from the gallery, the garden continues to flourish.

subterranean world at the Magic Gardens

labyrinth of found objects

Isaiah Zagar and his wife Julia moved to South Street over 40 years ago and have been integral in harnessing the community and building the neighborhood. Even in the mid 90’s, you could not get a cabbie to drop you in this neighborhood but now it’s a thriving and diverse community. A lot of this has to do with the Zagars’ resilience in cultivating a community from what was once run-down(abandoned) lots. If you’ve been to the ghettoes of West and North Philly, you’ll get a sense of what this area used to look like.

Starting off at 4th and South street back in the 60′s, Zagar created murals mostly for free on the sides of houses and inside buildings that he bought in the vicinity. His own house and properties he now rents have murals on all four walls and even ceilings, total craziness. Imagine living in a piece of art! It probably looks something like his gallery. Try fitting furniture in that.

mosaics on every possible surface

glass bottle castle

It was fascinating to see the evolution of his murals over the years (another advantage of the close proximity of his work). When he first started the glass pieces used were just smashed mirrors broken at random. Over the years he perfected the art of cutting glass and so his later murals have more uniform shaped pieces. That’s about as uniform as he gets though. Our guide (the wonderful outreach manager Kay Healy – disclosure, she’s a friend from my etching class) explained that even the way tile pieces are selected is very random. As he works on his mural, his rule is that whatever tile is picked from a bucket has to be immediately placed on the wall. You can’t put the piece back and select another color or shape. The result is an incredibly organic work of art (and fast too).  At last count, there are over 125 murals of his in Philly.

Walking through the gallery and touring the neighborhood, it’s truly like being in a dreamscape. I could write tons more on the subject but I urge you to do yourself a favor and go take a look for firsthand one lazy Sunday. You’ll be glad you did.

evolution of craft - note glass shard shapes on wall and uncolored grout. Floor mosaics suffer more wear and tear and have to be refinished every few years

Evolution of craft - regularly cut glass and use of colored grout. Our guide Kay

Zagar's tribute to 9/11

Take Me To Your Leader

Oh, the fascinating things I learn as I research my musings for this blog… For one, DID YOU KNOWWWW: you can purchase a dome-making kit online and build your own spherical home?

Whaa? Back up a second there. A DOME? Why would anyone want to live in a dome?! Okay, at first, that was my initial thought too. That was when I snapped this photo down at Mud City in Jersey this weekend. I thought, “that is some crazy building, what kind of loony lives there??”

take me to your leader

It’s such an unusual structure and something I’d have thought only showed up on movie sets of “distant futures”. But the more I read up on geodesic domes, the less loony it seemed and the more I wondered : gee, why don’t we build more of these? For starters, they are pretty darn cool. If you lived in one of these, you’re guaranteed to always have a conversation piece whenever guests came to visit.

ok, this shot looks pretty alien doesn't it??

A little history on what I found about these jimmies. The geodesic dome, is in essence a triangulation of polyhedrons (you like how I just threw about those terms? everyday use…)  intrinsically  linked to Buckminster Fuller who popularized the design back in the early 1950′s. The dome’s shape provides incredible efficiency as it uses the least amount of material to enclose to most amount of space. Also, it requires less energy to operate as there is about 1/3 less surface area by which to  gain or lose heat compared to a typical box shaped house. For those recently freaked out by earthquakes and hurricanes, it’s good to know that the dome  boasts impressive structural stability as loads are distributed evenly across the skin and frame.

However, there’s a downside to domes too – and probably the reason we don’t see many of them around. For the same reason that they perform so well energy wise, privacy is hard to come by living in these shells as sound bounces wonderfully off the walls. As building codes evolved, it grew harder for domes to meet the regulations for fire escapes, sewer vents, chimneys, etc (life safety what?). Not to mention, the difficulty of finding furniture to utilize the curved rooms left a lot of wasted peripheral space.

Nevertheless, I do hope domes make a comeback. If not for an entire house, then at least as additions for  futuristic playrooms or an alternative treehouse to get nerds away from their Xboxes.

YEEEEE- HAWWW!!

There’s something not many people know about me and that is that I keep an Americana Bucket List.  ”A whaaa??” An Americana bucket list is my list of things-to-do that tie into my infatuation with all things “AMERICAN”. Growing up reading my cousin’s stash of Archie and Veronica comic books, Seventeen magazines and countless episodes of Happy Days left an indelible image of America as a country of drive-in movies, red jalopies, silver diners, guys in argyle sweater vests and girls in tea length polka dot flare skirts. Yes, in my head, America is stuck on replay in 1955. I am obsessed with experiencing everything that screams “AMERICA!!”

The list started out with having burger and shakes at a silver diner, watching roller derby, swing dancing, drive-thrus then expanded to Harley riding,  monster-truck rallying, wings at Hooters, Coney Island and bucket more. This weekend, I got to cross off a major event of my list. What could be more American than … the RODEO?!! GIDDYUP!!!

It came to my attention a few months ago that there is an actual real life rodeo called Cow Town still going in New Jersey. In fact, it’s a local institution that has been around since 1929. Started by the Harris family as part of a county fair, the rodeo was an annual affair until the second world war when it went on hiatus. In 1955, the rodeo was revived and soon gained fame when it was aired on national tv. It now holds the honor of being the oldest weekly running rodeo is the United States! Impressive eh?! Friends who grew up in the area remember going with their families when they were kids. Naturally, I HAD to go.

I roped in my friend Ryan to taking the drive down to Woodstown NJ with me, a 45 minute drive from Philly to the middle of nowhere. We were greeted by a cluster of red barns and a giant 20foot tall cowboy and enormous fiberglass bull. Empty wooden tables were strewn in front of the double height barn, we had just missed the weekly flea market.

ride 'em cowboy! (image by Calista Condo from blog.nj.com)

Never fear, there’s always the general store across the street. Filled with bedazzled jeans, things with tassels and cowboy boots I was in heaven. Naturally, I left with a pair of (very practical) cowboy boots (for the Fall..). Finally at 7pm we headed over to the rodeo site which is pretty much an open arena by the side of  Route 40. The rain had made it veeeery interesting with mud and slosh and motor oil swirling around in the parking lot. Note to self, dressing up for Cow Town probably not such a good idea.

in my best 1955 hip chick gear

First stop: concessions! Funnel cake, pulled pork sandwiches, hot dogs, what could be more American?! The whole setup with wood frame stalls painted red and white, large painted barrels was pretty authentic I’d say.

pulled pork sandwich - deeeelicious

We made our way to the bleachers, rickety wood benches on a steep slope overlooking the arena. Despite the rain, there was a large crowd of about 1500-2000 people by my estimate. Families turned up dressed in checkered shirts and gallon hats and loaded up on snacks. Sitting behind us, a  hispanic family of 8 were enjoying themselves just as much as a giddy group of blonde girls in their daisy dukes 3 rows ahead. As a tradition, I can see how this scene would be a great cheap Saturday night family event. Needless to say, it was everything I’d hoped it would be. YeeeeeHawww!!!

don't forget your ten-gallon hat

blonde hair, cowboy hat and checkered shirt. ok, I'm going platinum the next time I come here

Bull riding was the first event, followed by bronco riding, steer wresting ( YOU try leaping off a galloping horse, grabbing a bull by its horns and wrestling it in the mud!), tie down roping, roman riding and barrel racing. I won’t get into the details of all the events themselves but for those who plan to go, I’d recommend sitting up close on either end of the arena so you get a real close up view of the action and mud.

rodeo opens with Star Spangled Banner

the bull pens

steer roping!

When A Project Comes to Life

Nothing beats the feeling of walking into a building that you’ve logged years of hard work, tears and blood (papercuts COUNT!) for. To see how every finessed detail came together and whether your weeks of agonizing over a zillion options was worth while. To see if truly that day-lighting effect would live up to your expectations and if the inhabitants actually cozied up to the nook you carved out just for them. Not to mention just the feeling of having wandered into your own 3D-model is kinda surreal =)

For me this was a project that I worked on for almost 3 years at my office, EwingCole. The Geisinger Hospital for Advanced Medicine is a 9-storey, 300,000sf hospital tower with clinics, operating rooms, 2 floors of acuity adaptable patient rooms and a large dining hall for the campus. Capped with a green roof, using sustainable planning strategies and an innovative mechanical system, it received LEED Silver certification this year. Huzzah!

The challenge of designing such a large facility was both daunting and exciting at the same time. I was really lucky to work in an excellent team and I think we all grew in the process. Sure there were hairy days sometimes but overall it was a terrific experience learning from each other.

New driveway leading up to the main entrance. 9-story building with mechanical penthouse

Studies in signage and articulating reveals in metal panels and precast concrete

lobby area: skylights and wrapping planes open up the space

The light-filled dining hall: large green 'fins' jut out from the 1st floor level corridor seating nooks. The green roof sits right above this and people on the 2nd floor upwards have a great view of it

Exterior ramp down to dining hall terrace: logged in some serious time over the phone with our civil engineer fenagling this sloping site

Elevator lobby and corridor: staggered planes and carved our niches provide respite from a potentially unending corridor - the achilles heel of large buildings

Patient room foot wall - a place for everything and everything in its place. The foot wall was divided into staff, patient and family zones. One of my favorite experiences: we ran a 3 week session of walking the end-users through 2 mock-up rooms to get everyone's input on the layout before finalizing the 60 patient rooms.Patient head wall - with full height views over the rolling landscape. This was the typical patient room but we also designed a bariatric room and an isolation room for the more acute patients.

Meticulously articulated patient floor corridor with decentralized nurse station for staff-friendly workplace. The supply closets outside each room reduced the amount of walking the nursing staff had to do to get bandages, blankets, etc for patients

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